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Boston Art Review (BAR) is an independent online and print publication committed to facilitating active discourse around contemporary art in Boston.

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Issue 14: Half Full is here! It features 119 pages of conversations, features, and reviews as well as a special insert previewing the Boston Public Art Triennial. Subscribe or purchase your copy today!

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Recent Articles





Weekly Happenings

May 6–13

It may be a quiet week for happenings, but we're busy shipping out Issue 14: Half Full!

April 29–May 6

Weekend of BAR: Catch us at our office open house + Faneuil Hall for our biggest event of the year!

April 22–29

A puppet show, a zine fest, and a new review of Edvard Munch.

Various spreads from Boston Art Review's Issue 11: Emerge, spread on a grey background

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Boston Art Review team gathered around a table, all inspecting a copy of Issue 11: Emerge.

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We're a community-supported publication. In addition to our small staff, we rely on a team of editors who are passionate about supporting our arts ecosystem.

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Dylan, a young light-skinned woman with red hair, sits at the table looking towards an open copy of Issue 11.

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In order to continue providing this crucial platform for artists, writers, and our arts community, we need help from supporters like you.

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Online • May 08, 2025

In Photos: The Boston Art Review Issue 14 Launch Party

On Saturday, May 3, over 600 guests joined us inside Quincy Market at Faneuil Hall to celebrate our latest print issue at our biggest party of the year.

Feature by BAR Editorial

Read More

Latest

Body-based artwork covers the wall of a gallery.

Online • May 06, 2025

Multiplicity as Resistance: "Body Politics" at Gallery 263

Quick Bit by Zaryah Qareeb


Online • Apr 22, 2025

Edvard Munch, Reprinted: A Study in Process at Harvard Art Museums

Review by David Curcio


Issue 12 • Apr 16, 2025

Bodies as Geographies, Paper, Mountains: In Conversation with Hong Hong

Interview by Danni Shen

Recent Features

Issue 14 • Apr 28, 2025

Portals to Power: Fabiola Jean-Louis at the Gardner

In “Waters of the Abyss: An Intersection of Spirit and Freedom,” Jean-Louis transposes Black femme futurities onto the colonial walls of the Gardner, turning stillness into subversion and paper into portals.

Review by Thea Quiray Tagle

Issue 14 • May 06, 2025

Hugh Hayden’s “Home Work” Dismantles the Architecture of the American Dream

At the Rose Art Museum, Hayden’s sculptural survey carves through the thorns of US history, braiding together beauty, survival, and the brutal education behind Black selfhood.

Review by Darla Migan

Online • May 08, 2025

In Photos: The Boston Art Review Issue 14 Launch Party

Feature by BAR Editorial

Issue 14 • May 06, 2025

Hugh Hayden’s “Home Work” Dismantles the Architecture of the American Dream

Review by Darla Migan

Issue 14 • Apr 28, 2025

Portals to Power: Fabiola Jean-Louis at the Gardner

Review by Thea Quiray Tagle

Body-based artwork covers the wall of a gallery.

Online • May 06, 2025

Multiplicity as Resistance: “Body Politics” at Gallery 263

Quick Bit by Zaryah Qareeb

Online • Apr 22, 2025

Edvard Munch, Reprinted: A Study in Process at Harvard Art Museums

Review by David Curcio

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